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Atonement (2007)
    
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Directed
by:
Joe Wright |
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COUNTRY
UK/France |
GENRE
Drama/Mystery |
NORWEGIAN
TITLE
Om
forlatelse |
RUNNING
TIME
123
minutes |
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Produced
by:
Tim Bevan
Eric Fellner
Paul Webster |
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Written by
(based on the novel by Ian McEwan):
Christopher Hampton |
Review
The technically
dazzling Atonement is heightened by delicate photography,
stunning make-up, and an innovative musical score by Academy Award winner
Dario Marianelli. The direction, by Joe Wright, also has merit, but
despite some good moments (e.g. the four-minute sequence on
the beach of Dunkirk), the uncustomary narrative structure distances us from the emotional impact of the story. The purpose, of course, is to
enhance the mystery – or rather, to create a mystery of what is
essentially a classic tragedy. Granted, it is well-written, full of
interesting aspects of oppressed sexuality and painful soul-searching – which ultimately aren't explored well enough. When Wright gives his
segments time to breathe and mature, such as in the depiction of a few crucial events early on from two contrasting points of view,
Atonement is encompassing. And the performances by James McAvoy and
Saoirse Ronan deserve a more thorough examination. Keira Knightley, on the other hand,
looks like an anorectic
21st-century model – in other words, an anachronism. It makes her Cecilia Tallis
hard to believe as a
1930s miss, but Knightley still delivers in the challenging dramatic
scenes – of which, alas, there are too few.
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