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The Birds (1963)

Director:
Alfred Hitchcock
COUNTRY
USA
Genre
Horror
NORWEGIAN TITLE
Fuglene
RUNNING TIME
116 minutes
Producer:
Alfred Hitchcock
Screenwriter:
Evan Hunter
Based on a story by:
Daphne du Maurier

Melanie (Tippi Hedren) og hennes elever blir angrepet av de ondskapsfulle måkene i Alfred Hitchcocks "The Birds".
Cast includes:

CHARACTER ACTOR/ACTRESS RATING
Mitch Brenner Rod Taylor ½
Melanie Daniels Tippi Hedren
Lydia Brenner Jessica Tandy
Annie Hayworth Suzanne Pleshette
Cathy Brenner Veronica Cartwright ½
Man in Front of Pet Shop Alfred Hitchcock ½

 

Review

The eerie atmosphere and primal theme is a chilling starting point for this impressive special effects film, but unfortunately, the film is far from the master of suspense's top level. Wanting to weave his inexplicable phenomena in a substantial dramatic foundation, Hitchcock embarks on an ambitious project, but ultimately Evan Hunter's script leaves a lot to be desired and calls for performances that a mediocre cast cannot pull off. It would be fair to assume that Hitchcock wanted to use lesser known performers in order to not let any star magnetism steal the story's thunder, but with Rod Taylor in a dubious leading role and Jessica Tandy's overacting, he attracts attention to factors that don't support his aspiration. Tippi Hedren is a treat (which of course was Hitch's motivation for casting her) and she's delicate and sensual, but she's no Grace Kelly.

The Birds has a few great scenes and some amazing images (including the final shot), but unlike many of his best chillers, Hitchcock fails to accumulate the suspense. We're simply being presented with a terror, but it's not put into context, not given the necessary relevance. Instead, Hitchcock tries to distract our attention with a dead and unerotic love story that finds peculiar fertile soil in an oedipus infested family with a bizarre distribution of generations. It seems Melanie's motivation is lost in the process.

As Hitchcock returnes to colour film after his two previous outings The Gazebo (1959) and Psycho (1960) had been in black and white, he also marks the beginning of his decline. Compared to his numerous magnum opuses, The Birds remains, much like Annie's two symbolic lovebirds, nothing but a bleak curiosity. It's a bloodfeast, compared to the standards of its time, but not the most harrowing one. If you find yourself scared of crows or gulls after wathcing The Birds, you probably already were.

Re-reviewed: Copyright © 20.4.2007 Fredrik Gunerius Fevang
Original review: Copyright © 2
.10.1996 Fredrik Gunerius Fevang

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