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The Basketball Diaries
(1995)     
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Director:
Scott
Kalvert |
COUNTRY
USA |
Genre
Biography/Drama |
NORWEGIAN TITLE
Netter
i New York |
RUNNING TIME
100
minutes |
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Producer:
Liz
Heller
John Bard Manulis |
Screenwriter:
Bryan Goluboff |
Review
Leonardo DiCaprio was able to fully exploit the
range of his raw, bursting talent in this tantalizing portrait of Jim Carroll, a
working-class New Yorker who devoted his teenage years to basketball and hard
drugs (respectively) and who eventually was able to break his habit and make a
career as a poet and artist based on his memoirs. Although the direction by
first-timer Scott Kalvert is somewhat bland (there is more poise and complexity
to DiCaprio's performance than to the film's presentation of the thematics and
environment), the film still retains an attractive grittiness and an erotic edge
which probably made The Basketball Diaries more appealing as an
eye-catcher than an effective warning on drug use back at the time of release.
One of the drawbacks is that the time frame chosen by the filmmakers is messy,
to say the least. In one moment, we're brought back to Carroll's sixties, before
we in the next are back in something resembling the nineties. Buried in this
mess, is an account which, despite moments of real poignance, seems to tread one
too many cliches along the way. Calvert may have thought he made a critical film
about drug use, but his fascination for the way of life he portrays becomes
somewhat too transparent.
Re-review: Copyright © 6.2.2009
Fredrik Gunerius Fevang
Original review: Copyright © 13.5.1997 Fredrik Gunerius Fevang |
[HAVE
YOUR SAY] |
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