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Cape Fear (1991)

Director:
Martin Scorsese 
COUNTRY
USA
GENRE
Thriller
NORWEGIAN TITLE
Cape Fear
RUNNING TIME
128 minutes
Producer:
Barbara De Fina
Kathleen Kennedy
Screenwriter (based on the film from 1962):
Wesley Strick


Cast includes:

CHARACTER ACTOR/ACTRESS RATING
Max Cady Robert De Niro
Sam Bowden Nick Nolte
Leigh Bowden Jessica Lange
Danielle Bowden Juliette Lewis
Claude Kersek Joe Don Baker
Lieutenant Elgart Robert Mitchum
Lee Heller Gregory Peck
Judge Martin Balsam
Lori Davis Illeana Douglas
Tom Broadbent Fred Dalton Thompson

 

Review

In essence, Cape Fear is a conventional psychopath thriller with all the mandatory ingredients present, including an overblown downward spiral, and stodgy, semi-intellectual ethic-philosophical discussions. But in the hands of a Scorsese in a venerating mood, the film is elevated by both a stylish (almost overly slick) direction filled with hitchcockesque suspense, as well as some devoted acting by a fine cast.

Scorsese favourite Robert De Niro is the ex-con released after 14 years in prison set on making life sour for his defense attourney (played by Nick Nolte in fine rejuvenated form) whom he holds responsible for his sentence. De Niro is instantly spellbinding with his impressive physical presence and sinister appearance, but his character ultimately hasn't (or isn't provided) the depth and substance to back him up. In the end, Scorsese uses him as a thriller puppet, while we instead would like to get under his skin.

Before that, however, the film enters remarkably interesting territory with its interior look at an exteriorly idyllic family, and how the outside threat affects them - for better or worse. Jessica Lange is a delicately fickle equilibrium, whereas Juliette Lewis is sensational as the enticing, ambivalent daughter - her scene with De Niro in the theatre being by far the film's best, showing a thematic debth that Scorsese can't quite follow up on towards the end.

It might be worth noting that the film is at its best when the dialogue between the main characters is ad-libbed, something that doesn't vouch for Wesley Strick's commonplace script. Still, Scorsese maintains his alluring suspense throughout, and manages to convey the duality in all the leading characters, giving the film more quality than the ending is able to squeeze out.

Copyright 11.9.2007 Fredrik Gunerius Fevang

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