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Civil War
(2024)
    
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Directed
by:
Alex Garland |
COUNTRY
UK/USA |
GENRE
Dystopian action/thriller |
NORWEGIAN TITLE
Civil War |
RUNNING
TIME
109 minutes |
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Produced
by:
Andrew Macdonald
Allon Reich
Gregory Goodman |
Written by:
Alex Garland |
Review
Alex Garland can certainly paint a
picture, which he does again with his latest film, Civil War
– a dystopian peek into a future United States at war with itself.
There are some very strong aspects to this film, one of which is
that in contrast to most (post)-apocalyptic fiction, we're freed
from the cliched family drama of dad going to superhuman lengths to
save his beloved family in the midst of the chaos. In Civil War,
we instead follow a handful of war journalists who set out on a
dangerous journey across the war-stricken country, from New York
City to Washington, D.C. Their goal is to interview the massively
unpopular president before he is overthrown by the so-called Western
Forces, a secessionist movement. Garland's vision has an evocative
realism to it; the conflict is depicted as widespread and
devastating, but not magnified into absurdity for cinematic effect.
So when our little team of photojournalists drive from settlement to
settlement, encountering various effects of the civil war along the
way, you can relate to them, and sometimes also to the factions they
are set to report on. Still, there is something missing in Garland's
artistic vision. The film is a document, not really a narrative. And
the passing of the torch from the weary, disillusioned veteran
(Kirsten Dunst) to the young idealist (Cailee Speany) is a far too
slight and obvious device to really strike a chord.
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