






 
|
 |
The Descendants (2011)
    
|
Director:
Alexander
Payne |
COUNTRY
USA |
GENRE
Drama/Comedy |
NORWEGIAN TITLE
The
Descendants |
RUNNING
TIME
115
minutes |
|
Producer:
Jim Burke
Alexander Payne
Jim Taylor |
Screenwriter:
Alexander
Payne
Nat Faxon
Jim Rash |
Review
A great insight into local Hawaiian
culture, history and geography backdrops this probing examination of how
a father (George Clooney) and his two estranged daughters (Shailene
Woodley and Amara Miller) deal with the fact that his wife and their
mother has gone into a permanent coma after a boating accident. The
woman has left several loose ends, which the Clooney character will have
to tidy up while at the same time trying to rebond with his daughters,
make arrangements concerning his wife's family, deciding on whether to
sanction the sale of a sizeable portion of family-owned pristine
Hawaiian land, and − last but not least − try to track down one
mysterious Brian Speer.
The Descendants is a movie
about ordinary people in special but far from unthinkable situations.
It's not the single actions these people do which are interesting, but
the situations they find themselves in before, while and after doing
them. As such, the film is highly reminiscent of and has many of the
same qualities as Alexander Payne's previous film,
Sideways,
which was released to aptly rave reviews some seven years ago. And as
with Sideways, Payne yet again demonstrates that his biggest
talent as a filmmaker is to portray what goes on inside the heads of his
protagonists. He respects them and lets them develop on their own, but
not without making them look exactly as goofy as they are when they
embarrass themselves. Combine this with Payne's ability to assume many
different points of view, and take his characters' entire emotional
spectrum into consideration, and you have a great basis for an
unassuming and perceptive comedy-drama.
In the lead, George Clooney gives a
steadfast performance of a naturally strong man who is given the
emotional test of his life. Clooney is sympathetic in almost every way
without ever threatening to come off as too saintly, and he is able to
convey an array of emotions without ever going over the top. The other
performers are an effective combination of established and new Hollywood
character actors on the one side, and local unprofessionals on the
other. This gives the film a suitable regional feel with a strong local
connection - which seems to be another of Alexander Payne's strengths.
He's interested in country and people, and he wants to portray both in a
good light, without ever glorifying them. The Descendants is a
truly deep movie − and
I don't mean in the emo, show-offish, overly
philosophical way which seems to have become popular in the business in
recent years.
|
|