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The Invention of Lying
(2009)
    
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Director:
Ricky Gervais
Matthew Robinson |
COUNTRY
USA |
GENRE
Comedy/Romance |
NORWEGIAN TITLE
The
Invention of Lying |
RUNNING
TIME
100
minutes |
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Producer:
Ricky Gervais
Dan Lin
Lynda Obst
Oly Obst |
Screenwriter:
Ricky Gervais
Matthew Robinson |
Review
Mark Bellison (Ricky Gervais) is an unsuccessful, lonely screenwriter
living in a parallel world which is very similar to ours except for one
thing: the concept of lying does not exist. And so people go around
naïvely believing everything they hear while constantly hurting each
other with blunt comments. Now, in addition to not being able to say
anything untruthful, these people are also - for some reason - compelled
to say exactly what they're thinking, which makes the world presented
here resemble a day-care centre more than it resembles a refined realm
of higher ethical standards, but what the heck.
Of
course, it's exactly this which makes the comedy tick, and
writer/director Gervais is in a frenzy trying to milk his concept in the
film's first half. The fresh angle and an array of great jokes makes
this part of the film surprisingly effective. And when Gervais'
character suddenly, as the first person in the world, discovers that
it's possible to say things which aren't true, he embarks on a rampage
in order to con his way to some money, his old job back, and - hopefully
- the girl of his dreams who has recently rejected him for not living up
to her genetic standards.
Gervais the actor keeps his likable persona busy, and as usual he is
worth a look, even when the script begins to wobble. Because when the
novelty and fun of the film's undoubtedly creative concept begins to
wane, The Invention of Lying hasn't got much of a script to fall
back on. Gervais, and his partner in crime behind the camera, Matthew
Robinson, resort to a remarkably vapid and unromantic romance between
Gervais and Jennifer Garner plus a handful of fun cameos from some of
Hollywood's finest performers. The latter is fun enough, the former
basically kills whatever zest the film had left. And once it becomes
clear that the mildly amusing and well-directed satire on religion is
overshadowed by the fact that the people in this world are more stupid,
shallow and inconsiderate than they are unable to lie, the film's
thematic relevance accompanies the comedy out the door.
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