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The Passion of the
Christ (2004)
    
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Directed
by:
Mel Gibson |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN
TITLE
The
Passion of the Christ |
RUNNING
TIME
127
minutes |
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Produced
by:
Bruce Davey
Steven McEveety
Mel Gibson |
Written
by:
Mel Gibson
Benedict Fitzgerald |
Review
This gaudy, unsubtle
rendition of the final hours in the life of one Jesus Christ would have
been more aptly titled "The Passion of Mel Gibson", as the
talented actor turned director tries to make a showcase for his
religious beliefs. The problem with The Passion of the Christ,
however, is mainly its total unnecessity. Gibson's portrait contains
nothing new. In fact, it's hardly even a portrait, but more of a
collection of scenes which all contain more or less the same dramatic
and thematic components. There is rarely made an effort to try to
understand motivations and reasons why things happen as they do. And
what is more astonishing; Gibson makes most characters (with the clear
exception of Pontius Pilate) into stereotypes.
The Passion of the
Christ is a burly, flashy and highly exaggerated movie, but what is
worse: it has close to no dramatic value or progression whatsoever.
There is no development, because what Gibson portrays here is a static
period. If he wants to show Jesus' passion, then he should have included
material where the prophet did more than brace himself for death. And if
he wants to show suffering in the name of Christianity, he needn't look
to Jesus, because history is full of examples. Instead he lets his
version of this highly particular biblical story (a historical anecdote
really) become some kind of foundation for his (and others) religion,
when what it really portrays - in all its hyperbole - is merely an
interesting political situation 2,000 years ago, and how the idea
of capital punishment was executed at the time.
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