Rampart (2011)

	Director: Oren Moverman	COUNTRY USA GENRE Crime/Drama NORWEGIAN TITLE Rampart RUNNING TIME 108 minutes
	Producer: Ben Foster Lawrence Inglee Ken Kao Clark Peterson
	Screenwriter: James Ellroy Oren Moverman

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Dave Brown	Woody Harrelson	½
Hartshorn	Ned Beatty
Terry	Ben Foster
Catherine	Anne Heche
Kyle Timkins	Ice Cube
Barbara	Cynthia Nixon
Joan Confrey	Sigourney Weaver
Linda Fentress	Robin Wright
Bill Blago	Steve Buscemi
Helen	Brie Larson	½
Head Shark Lawyer	Don Creech
Dan Morone	Jon Bernthal
Captain	Robert Wisdom

Review

I wouldn't quite say that the title of this Oren Moverman film, the follow-up to his highly successful The Messenger from 2009, is misleading, but the film is not really about the Rampart scandal of the 1990s. It is about a fictitious dirty cop who personifies everything that was wrong with LAPD's anti-gang Rampart Division at the time: he is corrupt, misanthropic, selfish, and amoral. Somewhat surprisingly, though, Rampart does not offer much in the way of social criticism or scrutiny of a corrupt system, as one might expect. Rather, it is a character study of a corrupt man in a downward spiral.

And at that, Rampart succeeds unconditionally. Woody Harrelson gives another intensely probing performance as a man who is an inherently selfish survivalist. He roams the streets of LA as if they were a jungle, full of traps and predators he must keep at bay. And he treats his vocation as a means of survival: it's kill or be killed. Harrelson's Dave Brown has no sense of morality; he operates purely on instinct. What makes the portrait so effective and harrowing is his obvious intelligence. He is eloquent and rationalizing, ensuring his true face remains hidden from everyone he encounters as long as possible – including his own family.

What Rampart does not explore is why Dave Brown is the way he is. The film is so unsuggestive and self-defining that it borders on the ineffective. Brown is clearly a remnant of the Rampart Division, but is he a product of it, or is he a product of society at large? Both explanations would seem logical and could have been discussed more fully, but Moverman's angle is more individualistic, focusing on Brown as a man with seemingly intrinsic character flaws. This may make the film less bold, even less relevant, but it doesn't take anything away from the character study and Harrelson's powerful performance. The strong supporting cast and the cleverly constructed disintegration of a cop's reputation and stature make Rampart a riveting experience.