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The
Substance (2024)
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Directed
by:
Coralie Fargeat |
COUNTRY
France/UK/USA |
GENRE
Horror |
NORWEGIAN TITLE
The
Substance |
RUNNING
TIME
141 minutes |
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Produced
by:
Coralie Fargeat
Tim Bevan
Eric Fellner |
Written by:
Coralie Fargeat |
Review
French filmmaker Coralie Fargeat (Revenge)
is the woman behind this profound dive into the body horror
subgenre, with a considerable satirical edge. Demi Moore gives a
hauntingly bold performance as Elisabeth Sparkle, a faded
50-year-old film star who, in her struggle to still feel relevant
and youthful, accepts an enticing offer from a black market
supplier: a serum that promises to transform her into a younger,
better, and more beautiful version of herself. The poised and
enticingly structured build-up is the mark of a filmmaker with a
clear and detailed vision. And although The Substance stands
on the shoulders of a number of giants, it does so with confidence
as the new torchbearer. Fargeat's tone is sharp, witty, and cold,
and the film finds its footing as a curious cross between
Cronenberg, The
Shining, Frankenheimer's Seconds and Peter
Gabriel's "The Barry Williams Show". The interplay between
Moore and Margaret Qualley as her younger, idealised self
encompasses a range of conflicts that will be recognisable for
anyone who has experienced the loss of youth, even if Fargeat seems
to think that it's mostly valid for women – and more specifically,
women who are famous for their looks. Only towards the very end does
the film run out of novel ideas and end up turning somewhat
desperately to well-worn visual and thematic tropes in order to wrap
things up. The suggestive score is by British electronic music
composer Raffertie.
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