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Tunnelen (2019)
    
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Directed
by:
Pål Øie |
INTERNATIONAL TITLE
The
Tunnel |
COUNTRY
Norway |
GENRE
Thriller/Disaster |
RUNNING
TIME
105 minutes |
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Produced
by:
John Einar Hagen
Einar Loftesnes |
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Written by:
Kjersti Helen Rasmussen |
Review
The wave of Norwegian disaster movies
continues with Tunnelen, directed by Pål Øie (Villmark,
Skjult).
As with most films in the subgenre, this is formulaic stuff, but
Tunnelen uses the formula well and to its own advantage. After
an inviting intro in which we meet the large and diverse cast of
characters who will soon find themselves in or around the ominous
tunnel of the title, Øie throws us into more than an hour of
non-stop suspense. The film is well-paced and unapologetic, and the
high tempo and brilliantly developed and filmed action scenes ensure
it feels less contrived than its siblings
Bølgen
and
Skjelvet, despite some obvious narrative flaws and
unnecessary (albeit funny) characters, such as Jan Gunnar
Røise's or Henrik Holm's. The latter's talent is completely wasted here,
with the part probably having ended up on the cutting room floor. In
leading roles, Thorbjørn Harr, Ylva Fuglerud and Ingvild Holthe
Bygdnes all give heartfelt performances, elevating what could
otherwise have come off as strictly a genre-movie to a dramatically
valid and poignant film.
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