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Countdown (1967)
This beautiful, patient Robert Altman drama combines the director’s unusually gentle attention to character with a thoughtful, historically attuned fable about the race to put a man on the moon. Considering the year of production (before Armstrong and Aldrin actually set foot on the lunar surface), Altman captured both the technical and thematic aspects of the story with impressive accuracy and elegance, weaving it all together with a sensible dose of suspense. In the rivalling leads, two talented character actors at the dawn of their careers – Robert Duvall and James Caan – blend a touch of arrogant youthfulness with a disarming respect for both each other and the medium. They bring a complexity to their roles that help camouflage the somewhat unbelievable prospect of NASA sending an untrained astronaut to the moon. Altman closes on a technically striking note, aided by William W. Spencer’s delightful cinematography, and the final shot – of a particular reflection in Caan’s helmet – wraps up this dynamic story in a artful, delicate manner.
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