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Four Weddings and a
Funeral (1994)
A young and sprouting Hugh Grant and a
rather clever narrative structure lay the basis for this enjoyable
romantic comedy, which took the world by storm upon release in 1994,
winning both the critics’ accolades and the public’s approval. It was
director Mike Newell’s real first international success, but the star
behind the camera was screenwriter Richard Curtis (later of Notting Hill
and Love Actually). Telling the entire story solely via the five events
mentioned in the title is a crafty little trick. The good news is that
you get a free-flowing, fly-on-the-wall peek into the lives of these
characters. The bad news is that it does occasionally become affected
and cluttered. Still, the real reason FW doesn’t quite work on its main
level, which is of course the central romance, is that Andie MacDowall’s
character and performance leave a lot to be desired. We don’t get any
justification for Charles’ lasting, headlong infatuation with Carrie,
other than the fact that she’s attractive (and possibly American). You
end up feeling that the vivacious and sympathetic Charles deserves
better than the underwritten, shallow and morally dubious Carrie. So
when the film’s final wedding comes around, and the film reaches its
pivotal scene, it loses all the down-to-earth, natural charm it has
built its existence on up until this point.
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