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Godzilla (1998)
    
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Directed
by:
Roland Emmerich |
COUNTRY
USA |
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GENRE
Action/Science Fiction/Thriller |
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NORWEGIAN TITLE
Godzilla |
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RUNNING
TIME
139 minutes |
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Produced
by:
Dean Devlin |
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Written by
(based on the franchise by Toho Co. Ltd.):
Dean Devlin
Roland Emmerich |
Review
Roland Emmerich’s gradual development
from teller of fascinating adventures (Stargate)
to Hollywood’s leading churner-out of oversized, CGI-driven
spectacles (Independence
Day) reached completion with Godzilla – the
first American adaptation of the renowned Japanese kaiju franchise.
This was where his chase for bigger, brasher, and more bombastic
finally imploded. Narratively, Emmerich returns to all his usual
unsophisticated tropes: silly military men, insensitive officials,
and vapid love stories – plus, of course, the single voice of reason
in the form of a scientist. The problem is just that the science is
presented with such banality and naïveté that it belongs in a
children’s programme. The main letdown with Godzilla,
however, is that Emmerich fails to evoke any sense of horror,
suspense, or wonder, which completely deflates the whole idea of a
monster story like this. The film amounts to little more than
showing off the latest in computer-generated visual effects – which
were unconvincing then and look utterly mundane today. There’s also
a wholly forgettable score by David Arnold. Remarkably, the film
made loads of money at the box office despite being universally
panned, which says something about how the 1990s were the glory days
of moviemaking.
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