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Marty
Supreme (2025)
    
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Directed
by:
Josh Safdie |
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COUNTRY
USA |
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GENRE
Sports/Drama |
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NORWEGIAN TITLE
Marty Supreme |
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RUNNING
TIME
150 minutes |
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Produced
by:
Josh Safdie
Ronald Bronstein
Eli Bush
Anthony Katagas
Timothée Chalamet |
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Written by:
Josh Safdie
Ronald Bronstein |
Review
Josh Safdie ditched his brother Benny
and went solo for this look at the budding table tennis scene and
the hand-to-mouth existence of 1950s New York City – loosely based
on the life of American table tennis player Marty Reisman. At its
best, Marty Supreme has many of the same assets as Safdie's
two previous films,
Good Time (2017) and
Uncut Gems
(2019), not least the existential dilemmas and the frantic drive.
The world Safdie creates around Marty is just as feverish and
exhilarating, but also a tad more outlandish than in the two
aforementioned films. The set-pieces here are so
creative and elaborate that they at times verge on absurdity, and
not always with the expected conjoined humour. Still, Timothée
Chalamet's industrious, nuanced performance in the lead makes
Marty's often selfish antics and outlook on life seem understandable
– at times even imperative. It's a fine character study. We are drawn into his world of chasing
money for his next meal, next lodging, or next tournament. The latter constitutes the film's delve into the sports
genre and functions more as a subtext than as the film's true
driving force. Therefore, it is ultimately somewhat disappointing
that Safdie falls into rather familiar genre tropes in his depiction
of table tennis. Though handled with a fair amount of
seriousness and curiosity, the CGI-driven matches never feel as
exciting as they're built up to be, and will almost certainly seem
underwhelming to players and fans.
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