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One Battle
After Another (2025)
    
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Directed
by:
Paul Thomas
Anderson |
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COUNTRY
USA |
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GENRE
Action/Thriller |
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NORWEGIAN TITLE
One
Battle After Another |
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RUNNING
TIME
162 minutes |
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Produced
by:
Adam Somner
Sara Murphy
Paul Thomas
Anderson |
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Written by
(based on Vineland by Thomas Pynchon):
Paul Thomas
Anderson |
Review
Paul Thomas Anderson's dystopian
crime-action is an all-out assault on eyes, ears, and almost every
other faculty – a film as rich and multifaceted as it is hyperbolic
and self-absorbed. Leonardo DiCaprio plays bomb specialist Pat
Calhoun, whose girlfriend, Perfidia Beverly Hills (Teyana Taylor),
is a leading figure in a far-left revolutionary group determined to
overthrow the right-wing militant government. When the two become
parents to little Charlene (Chase Infiniti), and Perfidia rats out
her comrades after being apprehended by law enforcement, led by
Colonel Steven J. Lockjaw (Sean Penn), Pat's perspective shifts, and
he leaves his old world behind – seemingly.
The aptly titled One Battle After
Another may not exactly be a battle to watch, but it alternately
gnaws at and imposes itself on you. At its best, such as in the
tender portrayal of the bond between father and daughter (DiCaprio
and Infiniti), the film encompasses universal truths and sensitive
themes in a poignant package. In its more feverish parts, Anderson
cannot quite mold his characters' overblown personas and his
emblematic scenes into a fully reconciled satire to form the film's
undercurrent. There are nevertheless flashes of brilliance
throughout, highlighted by a delicately innovative, brilliantly shot
chase sequence towards the end. The film is also somewhat marred by
Jonny Greenwood's abrasive, insistent score. There are solid,
entertaining performances from the supporting cast – including a
wild-looking Penn, the talented Infiniti, and an aptly laid-back
Benicio del Toro – plus, of course, another commanding, accomplished
turn from the ever-brilliant DiCaprio.
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