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Good Night, and Good Luck (2005)

Director:
George Clooney
COUNTRY
Japan/France/USA/UK
GENRE
Drama
NORWEGIAN TITLE
Good Night, and Good Luck
RUNNING TIME
93 minutes
Producer:
Grant Heslov
Screenwriter:
George Clooney
Grant Heslov


Cast includes:

CHARACTER ACTOR/ACTRESS RATING
Edward R. Murrow David Strathairn
Joe Wershba Robert Downey, Jr.
Shirley Wershba Patricia Clarkson
Don Hollenbeck Ray Wise
William Paley Frank Langella
Sig Mickelson Jeff Daniels
Fred Friendly George Clooney
Jesse Zousmer Tate Donovan
Palmer Williams Tom McCarthy
Eddie Scott Matt Ross
John Aaron Reed Diamond
Charlie Mack Robert John Burke
Don Hewitt Grant Heslov

 

Review

Paradoxally, not too many people recognize the parallel between the situation in the west today concerning terrorists and that of the 50s (in particular) concerning communists. We had it in Europe as well (and in Norway, where I come from) but few took that witch hunt further than US Wisconsin senator Joseph McCarthy. If nothing else, he at least achieved having an ism suffixed to his name.

In his second feature film, increasingly politically expressive actor-turned-director, George Clooney both gives a brilliant portrait of a pivotal time and state in American politics/media as well as makes a statement of the paradox mentioned in the previous paragraph. That is a grand total worth appreciating, but Good Night, and Good Luck has more to offer as well. Clooney's tasteful direction is a homeage to a less vulgar and hectic time in film history. Even though his story unfolds in the anything but sedative business of news reporting, there is a calm rhythmic feel to the pacing and editing. Cinematographically, the film is, if not groundbreaking, then at least very aware (note the delayed focusing), wanting to give the film an immediate feel without being too disjointed. Clooney balances this impressively, and it works very well.

David Strathairn, that long underused and underestimated character actor from John Sayles films, is the perfect choice in the lead. Not only does he look the part perfectly, but he completely nails Murrow's mannerisms, implicit humour and force. Not having seen too much of Strathairn's earliest work, he was for me a revelation in the sleeping classic Dolores Claiborne. In Good Night, and Good Luck, he really peaks, giving life to his character and heightening the suspense of Clooney's drama.

Because that is perhaps what is most impressive with Good Night, and Good Luck. Although it is a historical document of not unknown conclusions, Clooney's tight direction and incredibly thorough examination of his subject makes it all an exiciting view as well. Clooney himself plays Murrow's producer Fred Friendly in a delibarately subdued fashion. Among a fine ensemble, the other one to really stick out is definitely Frank Langella, who has some great scenes as CBS executive William Paley. His scenes with Strathairn are vibrant.

Clooney opted to shoot in black and white, and also to avoid using an actor to play McCarthy, instead taking use of actual archive television footage. Of course, these are means that diminish the distance between our time and the time of our protagonists. However, it is also a choice that could threaten to make an already serious story less entertaining. But then again, in the words of Ed Murrow himself, to entertain isn't television's (nor cinema) only business. If one's interested, one could actually learn something. Well, Good Night, and Good Luck manages both. And if you're patient, you'll find lots of humour in here as well - notably at the hands of Kent cigarettes. This is a film that might just be a testimony of a great director in the making.

Copyright 8.2.2006 Fredrik Gunerius Fevang

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