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3096 Tage (2013)
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Director:
Sherry Hormann |
INTERNATIONAL TITLE
3096 |
COUNTRY
Germany |
GENRE
Drama |
NORWEGIAN TITLE
3096 dager |
RUNNING
TIME
111 minutes |
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Producer:
Martin Mozskowicz |
Screenwriter
(based on the book by N. Kampusch):
Bernd Eichinger
Martin Mozskowicz
Ruth Toma |
Review
One
of the great things about Natascha Kampusch's autobiography "3096
Tage", about her time in captivity in Wolfgang Priklopil's cellar,
is that it is nonspeculative and discussion-based. Even the
perpetrator is portrayed in a forgiving light; she wants to
understand him more than condemn him. None of these qualities are
anywhere to be found in this ill-conceived adaptation, however,
which on the surface is true to Kampusch's account, but in essence
is sleazy, indelicate and, to make things worse, staccato. To
elaborate on that final characteristic: Nothing here feels like it's
flowing, everything seems forced - from the at times awful acting,
particularly by the horribly miscast, out of depth and far too old
Antonia Campbell-Hughes in the adult female lead, via Sherry
Hormann's clumsy direction, and to the strangely fluorescent
cinematography, which surprisingly is by award-winning German
veteran Michael Ballhaus. I guess a bad team effort affects
everyone. And this is certainly one. I feel sorry for Ms. Kampusch
who has to see her life-story treated like this.
PS!
The film is a German production, filmed in Bayern/Wien, but in the
English language, which does not exactly add to its level of
authenticity.
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