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7500 (2019)
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Director:
Patrick Vollrath |
COUNTRY
Austria/Germany/USA |
Genre
Thriller |
NORWEGIAN
TITLE
7500 |
RUNNING
TIME
92
minutes |
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Producer:
Patrick Vollrath |
Screenwriter:
Maximilian Leo
Jonas Katzenstein |
Review
In everything from scope to
execution, this is a classic made-for-TV-movie – in our day and age
meaning made-for-streaming. It’s the feature film debut for German
filmmaker Patrick Vollrath, who shows that he is not afraid to tackle
controversial subjects and is also looking for nuance in situations that
are often construed as binary. There have been a few films about air
terrorism in the wake of 9/11, most notably
United 93 and
Flight 93, and
Vollrath’s story is tapping into that same segment, but arguably with a
little less validity. The film’s best achievement is the tension and suspense
it creates – especially in its first half – using only
one location and a handful of actors. The ever-dependable Joseph
Gordon-Levitt is part of the reason the film works so well; his ability
to convey repressed anxiety and collected focus transports you into that
cockpit with him. Unfortunately, reaching the 90-minute-mark ultimately
becomes a burdensome task for Vollrath. His film runs out of steam and
the director is forced to engage the autopilot in order to reach his
somewhat anticlimactic conclusion.
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