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The
Abyss (1989)     
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Directed
by:
James Cameron |
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COUNTRY
USA |
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GENRE
Action/Science Fiction/Thriller |
NORWEGIAN
TITLE
Abyss |
RUNNING
TIME
145 minutes |
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Produced
by:
Gale Anne Hurd |
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Written by:
James Cameron |
Review
The possibilities in CGI effects today are seemingly limitless, a fact
which makes a film like James Cameron's The Abyss even more
technically impressive. Largely filmed underwater without stunt
performers, this is a unique technical achievement with a handful of majestic physical
performances. Cameron isn't a director who demands the
subtlest thespian performances, but he's an industrious filmmaker who
makes films in which the energy and effort put into the production shine
through. This is one of the aspects that makes The Abyss such an
intense, high-octane and remarkably suspenseful experience. As always,
Cameron deploys a collection of tough-minded, no-nonsense macho
characters. His women are rarely shown embracing their femininity, and his men
are always clever non-intellectuals. Initially, they border on
caricatures, but as Cameron teams them up and introduces his intriguing
setup, we quickly forget all that. As with The
Terminator, Cameron's ability to make the most
spectacular action seem perfectly logical also elevates The Abyss thematically.
He intertwines high-tech realism with illusory, Close
Encounters-esque science fiction in impressive
fashion. The film features one of Ed Harris' finest performances – and
appears to have inspired Brian De Palma's subsequent masterpiece Mission
to Mars.
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