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Aftersun (2022)
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Directed
by:
Charlotte Wells |
COUNTRY
UK/USA |
GENRE
Drama |
NORWEGIAN TITLE
Aftersun |
RUNNING
TIME
101 minutes |
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Produced
by:
Adele Romanski
Amy Jackson
Barry Jenkins
Mark Ceryak |
Written by:
Charlotte Wells |
Review
An artistically ambitious and in many
ways consummate film from Scottish first-time director Charlotte
Wells. A clearly personal story about an 11-year-old girl's final
childhood summer holiday with her father in the late 1990s,
Aftersun is an understated, connotative piece revolving around one of the
most basic of human relations – the one between father and daughter – and how subtly impactful it can be.
Wells' most impressive achievement with Aftersun is how every
seemingly trivial occurrence and scene simmers with energy and an
unexpressed foreboding which we slowly try to decipher together with
the reminiscing filmmaker. Memory is fleeting and the human psyche
can be a mystery to bystanders, even those who stand quite close, is
Wells' message to us and herself here. The film has a clearly
self-therapeutic origin which hopefully will be translatable in some sense or the other. There
are fine performances from Paul Mescal as the father and the
very talented Frankie Corio as the daughter.
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