






 
|
 |
American Hustle (2013)
    
|
Director:
David O.
Russell |
COUNTRY
USA |
GENRE
Crime/Comedy |
NORWEGIAN TITLE
American Hustle |
RUNNING
TIME
138 minutes |
|
Producer:
Charles Roven
Richard Suckle
Megan Ellison |
Screenwriter:
Eric Warren
Singer
David O. Russell |
Review
While
the operation that American Hustle is based upon (a not
entirely successful sting operation called ABSCAM, conducted by the
FBI in the late 1970s) undoubtedly has enough potential to make a
good or even great movie out of, this is unfortunately not
writer/director David O. Russell's (The
Fighter,
Silver Linings Playbook) main objective here. Instead
he focuses on his characters, not all of which are interesting
enough, and have them meddle in as many situations and setups as
possible, often seemingly while having his actors ad-libbing their
lines. His intention is to create a film which delivers on two
fronts; a film which on the one side is crisp, interesting and
perhaps even a little suspenseful, and on the other side cool and
funny. He is somewhat successful with the former, but largely fails
with the latter.
And
that is actually quite remarkable, because American Hustle
seemingly has every ingredient, including a great set of actors and
plenty of razzle-dazzle and half-clever shenanigans conducted in
shady, tapped rooms by people in high positions. Unfortunately, both
the script and the filming of it is a botch job, and Russell resorts
to using means which are never the best of omens in films like
these: a perpetual, over-explanatory narrator, an uninspired and
unnecessary in-medias-res opening, and introducing his characters
with as much hype as possible - ostensibly to cover up their
shallowness.
The
biggest problems in this respect is that our two main protagonists,
Christian Bale's and Amy Adams' characters, have no heart or
anything else to evoke our sympathy. They are weirdly under- and
overplayed, respectively, and while Bale impresses with his physical
transformation, his Irving Rosenfeld remains too bleak for anyone to
really care about him. The other actors are mostly fine, with
Jennifer Lawrence especially feisty as Bale's forgotten wife, but
even Bradley Cooper and Jeremy Renner, who both try to get into
their characters, have a hard time keeping them interesting in
Russell's flashy and digressive handling. American Hustle
boasts its style and extravaganza proudly, but lacks the necessary
integrity and weight to back it up.
|
|