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American Sniper
(2014)
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Director:
Clint
Eastwood |
COUNTRY
USA |
GENRE
War/Drama |
NORWEGIAN TITLE
American Sniper |
RUNNING
TIME
132 minutes |
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Producers:
Clint
Eastwood
Robert Lorenz
Andrew Lazar
Bradley Cooper
Peter Morgan |
Screenwriter
(based on the novel by Chris Kyle):
Jason Hall |
Review
The
nature of any biopic is that the protagonist is presented in a heroic,
or at least sympathetic manner. Contrast that with our natural
response to someone who has killed 160 people, which will be
instinctively antagonistic, and the question of whether or not Chris
Kyle is a hero becomes relevant – if not for this film per se, then
at least
for the viewer. Now, patriotically speaking he undoubtedly was a
hero: He defended his comrades without flinching, and saved the
lives of many of them. He became a hero for them because he was more
skilled technically and tactically – and probably had more luck –
than his comrades and enemies. That doesn't necessarily mean he was
right in doing what he did, but luckily, Clint Eastwood, the
director of this film, doesn't get hung up on a discussion on ethics. He
wisely leaves that to the viewer. Instead he makes a film about war
not as a political game, but as a dirty contest in which the losers
die and the winners at best gets their old lives back.
And
as a portrait of that contest, which is modern warfare, American
Sniper comes off as intensely realistic – in contrast to the
comparable and more decorated
The Hurt Locker. In American
Sniper, death is
sudden and never wrapped in ceremony, like in so many other war
movies. In here, nothing happens for a reason higher than the combatants'
luck and skill in the moment. Eastwood gets into the minds of the
soldiers, not the minds of the politicians, and argues that their
thinking needs to be black and white for them to do their job. The film
also touches on some of the final taboos of our time, such as the use
of children in war, or the thrill of killing. The latter is
something the title character never talks about, but most certainly feels – and
has done ever since he killed his first deer with his father by his
side. Eastwood dares to show the clean, adrenaline-rushed moment of
brutality at which the sniper delivers the deadly blow. The poetry
in this moment is of course never discussed or articulated, but it's
apparent nevertheless – amidst its surge of masculinity.
Bradley Cooper is solid in the title role, whereas Sienna Miller
does what she can with the standard wife-left-back-at-home part. This
is not really a film about love and family, however, although Eastwood feels
obliged to make us think that it is. In other words, Chris'
wife and family are generic characters experiencing an intensified
version of long since over-discussed issues on film. This is not
where American Sniper has something of value to offer; that
is all about Chris
and what goes on around and inside him. As with many of Clint
Eastwood's films, the thematics are largely male and largely
American, but so is both he and Chris Kyle – and this is their
story.
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