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Armand
(2024)
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Directed
by:
Halfdan Ullmann
Tøndel |
INTERNATIONAL TITLE
Armand |
COUNTRY
Norway/Netherlands/
Germany/Sweden |
GENRE
Drama/Thriller |
RUNNING
TIME
117 minutes |
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Produced
by:
Andrea Berensen Ottmar |
Written by:
Halfdan Ullmann Tøndel |
Review
The debut feature film of Halfdan
Ullman Tønder, grandson of Ingmar Bergman and Liv Ullman, is a
partly allegorical, partly naturalistic dissection of 21st century
parenting and educational system, and their handling of an
“unfortunate incident” between two 6-year-old boys. Renate Reinsve
is the eccentric mother of Armand, the alleged perpetrator in said
incident, and as she finds herself scrutinized by her son’s teacher,
the school administration and the parents of the other boy, the film
slowly descends into an interrelational abyss – a limbo from which
no good things can ever emerge. Ullman Tønder’s purpose and position
are strong, and so is his artistic expression, which is discernibly
inspired by the works of his grandfather, and perhaps also to a
degree by Kubrick. And although the narrative as such at times feels
bumpy and the film unevenly edited, Armand is in many ways a
return and homage to pure cinema, for which it should be hailed.
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