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Atonement (2007)
Director:
Joe Wright |
COUNTRY
UK/France |
GENRE
Drama/Mystery |
NORWEGIAN
TITLE
Om
forlatelse |
RUNNING
TIME
123
minutes |
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Producer:
Tim Bevan
Eric Fellner
Paul Webster |
Screenwriter (based on the novel by Ian McEwan):
Christopher Hampton |
Review
The technically
dazzling Atonement is heightened by delicate photography,
stunning make-up and an innovative musical score by Academy Award winner
Dario Marianelli. The direction, by Joe Wright, has got merit, but
despite some good moments (e.g. the four plus minute sequence on
the beach of Dunkirk), the uncustomary narrative structure distances us
from the emotional impact of the story. The purpose, of course, is to
enhance the mystery - or rather, to create a mystery of what is
essentially a classic tragedy. It is a well-written one at that, full of
interesting aspects of oppressed sexuality and painful soul-searching -
which ultimately aren't explored well enough. When Wright gives his
segments time to breathe and mature, such as the depiction a couple of
crucial events early on from two contrasting points of view,
Atonement is encompassing. And the performances of James McAvoy and
Saoirse Ronan deserve a more thorough examination of relations and
emotions. Keira Knightley, on the other hand, looks like an anorectic
21st century model. It makes her Cecilia Tallis hard to believe as a
1930s miss, but Knightley still delivers in the challenging dramatic
scenes - of which, alas, there are too few.
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