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Attack the Block
(2011)
    
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Director:
Joe Cornish |
COUNTRY
United
Kingdom |
GENRE
Horror/Comedy |
NORWEGIAN TITLE
- |
RUNNING
TIME
88
minutes |
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Producer:
Nira Park
James Wilson |
Screenwriter:
Joe Cornish |
Review
The alien-attack sub-genre, which in
the 1950s, 60s and 70s was innovative in and of itself, has long since
become so conventional that fresh and inspirational entries are very
rare to
come by. It has been spoofed to pieces more than once, and so when the
crude and largely cliched Attack the Block was hailed for its creativity by
critics and at festivals last year, the only credible explanation I can
think of is that the expectations for this genre is at an all-time low.
While it is nice to see a local South
London approach to the casting and some of the issues discussed,
it doesn't help the film much that the actors are low on talent and the
script only starts showing fragments of quality towards the end. The combination of an
apparently serious threat and a bunch of flippant characters kills any
hope of suspense and raises the stakes for the comedy to a level which
writer/director Joe Cornish cannot match. The film's flimsy foundation
puts him in the predicament of having to trust his assembly of juvenile
usual suspects, of which only one (Simon Howard) shows any notable sign of
acting talent. Why we're expected to feel sympathy for any of the other
characters is very unclear, unless the film is making some sort of
implicit socialist comment about social injustice and behaviourism.
With the addition of some stupid
supporting roles (Jumayn Hunter as an aggressive drug-dealer and Nick
Frost as his lame sidekick), Attack the Block limits itself to a
stereotypical presentation of gang-culture intertwined with a far too
familiar sci-fi/horror premise. And while the special effects aren't
half bad, other technical aspects such as the editing is more
reminiscent of a student film than a theatrical release. Contrary to
many other mediocre films in this sub-genre, however, Attack the Block's
best feature is the ending, which has a sense of decency and some clever
explanations (notably the justification of the aliens' behavioir), and
I'll give praise where praise is due, but
there's only so much a good wrap-up can gloss over.
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