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The Autopsy of Jane Doe
(2016)
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Director:
André Øvredal |
COUNTRY
UK/USA |
Genre
Horror |
NORWEGIAN
TITLE
The
Autopsy of Jane Doe |
RUNNING
TIME
86
minutes |
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Producer:
Fred Berger
Eric Garcia
Ben Pugh
Rory Aitken |
Screenwriter:
Ian Goldberg
Richard Naing |
Review
After a very enticing intro,
in which the ever dependable Brian Cox welcomes us to a coroner's
everyday life, before a mysterious corpse lands on his table, Norwegian
director André Øvredal becomes a
little too hung up on replicating classic horror aesthetics and placing
his film in a certain tradition instead of continuing on a more offbeat
path which could have made this really interesting. This is nevertheless
a film that looks marvellous and has a timelessness in its visuals. But
the thematics and the logic the film creates for itself doesn't hold up;
it's in conflict with the horror clichés we're being subjected to. Like
so many delves into supernatural horror, The Autopsy of Jane Doe
always keeps an emergency exit for itself. When the logic can always be
betrayed, there's always a way out of any situation, which means that
everything you watch will be of progressively less consequence the
closer to the end credits you get. Brian Cox and Emile Hirsch hold the
film up with their nice twosomeness. It could have been the basis for
something very good. The beautiful mise-en-scene is by production
designer Matthew Gant and art director Astrid Sieben.
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