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Bad Lieutenant (1992)
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Director:
Abel
Ferrara |
COUNTRY
USA |
Genre
Drama/Crime |
NORWEGIAN TITLE
Bad
Lieutenant |
RUNNING TIME
98
minutes |
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Producers:
Edward
R. Pressman
Mary Kane |
Screenwriters:
Abel Ferrara
Zoe Tamarlaine Lund |
Review
As one of the bleakest and most crime-ridden
periods in the history of New York City was coming to an end, indie-filmmaker
Abel Ferrara made Bad Lieutenant, a film that became the representation,
culmination, and perhaps even redemption of said period. It's about a police
lieutenant, played by Harvey Keitel (himself a native New Yorker who had seen it
all), who has let himself fall into a downward spiral of gambling, drug-use and
corrupt police work over several years. He is the embodiment of the city's
debauchery and he's on a collision-course. And although he's in denial about his
self-destruction, he is filled with a guilt which his self-indulgence inflicts on
his soul. With its unpolished and unyielding rendition of life on the streets, Bad Lieutenant
was a wake-up call at the time and remains a stomach punch today. And Ferrara's
method of following Keitel around the city with a camera, documenting his
downfall and his confused attempts of redemption, gives the film an authentic,
almost documentary feel (something which is also enhanced by Zoë Lund's
painfully real contribution). It's distressing and draining much in the same way
that Last Tango in Paris
was, and Keitel's performance is reminiscent of Brando's in that film,
especially regarding the actors' bravery and willingness to let their faces and bodies
become a symbol for some of the ugliest aspects of humanity. Ferrara doesn't
condemn his protagonist, however. He argues that he is merely a product of the
corrupted society he's living in, albeit also the worst representative for it.
This is the essence of the film, and this is what redeems an otherwise
completely unsympathetic character.
Re-reviewed:
Copyright © 29.12.2016 Fredrik Gunerius Fevang
Original review:
Copyright © 13.11.1997
Fredrik Gunerius Fevang
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