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Bad Lieutenant (1992)
    
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Directed
by:
Abel
Ferrara |
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COUNTRY
USA |
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GENRE
Drama/Crime |
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NORWEGIAN TITLE
Bad
Lieutenant |
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RUNNING
TIME
98 minutes |
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Produced
by:
Edward
R. Pressman
Mary Kane |
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Written by:
Abel Ferrara
Zoe Tamarlaine Lund |
Review
As one of the bleakest and most crime-ridden
periods in the history of New York City was coming to an end, indie filmmaker
Abel Ferrara made Bad Lieutenant, a film that became the representation,
culmination, and perhaps even redemption of that period. It's about a police
lieutenant, played by Harvey Keitel (himself a native New Yorker who had seen it
all), who has let himself fall into a downward spiral of gambling, drug use and
corrupt police work over several years. He is the embodiment of the city's
debauchery, and he's on a collision course. Although he's in denial about his
self-destruction, he is filled with a guilt that his self-indulgence inflicts on
his soul. With its unpolished and unyielding rendition of life on the streets, Bad Lieutenant
was a wake-up call at the time and remains a stomach punch today. And Ferrara's
method of following Keitel around the city with a camera, documenting his
downfall and his confused attempts at redemption, gives the film an authentic,
almost documentary feel (which is further enhanced by Zoë Lund's
painfully real contribution). It's distressing and draining much the same way
that Last Tango in Paris
was, and Keitel's performance is reminiscent of Brando's in that film,
especially in the actors' bravery and willingness to let their faces and bodies
become a symbol for some of the ugliest aspects of humanity. Ferrara doesn't
condemn his protagonist, however. He argues that he is merely a product of the
corrupt society he's living in, albeit also the worst representative of it.
This is the essence of the film, and this is what redeems an otherwise
completely unsympathetic character.
Re-reviewed:
Copyright © 29.12.2016 Fredrik Gunerius Fevang
Original review:
Copyright © 13.11.1997
Fredrik Gunerius Fevang |
[HAVE
YOUR SAY] |
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