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Becket (1964)
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Director:
Peter Glenville |
COUNTRY
United Kingdom/USA |
GENRE
Historical/Drama |
NORWEGIAN TITLE
Becket |
RUNNING
TIME
148 minutes |
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Producer:
Hal B. Wallis |
Screenwriter (based on the play by Jean Anouilh):
Edward Anhalt |
Review
Theatrical and hypothetical, but utterly grand, with top-notch
interpersonal drama realized by two of the great thespian talents of
this era. Peter Glenville directs with a sense of awe for the story
and his actors, for good or bad. And they revel in their own
perceived infallibility, or youthful arrogance, rather. This works
ingeniously, particularly for O'Toole and his Henry II. Along with
Lawrence of Arabia, this is arguably his best performance.
Burton is, as usual, somewhat stiffer, but his performance is
well-rounded and powerful, and he ultimately rises to the occasion
and frees himself not only from the constraints of the script, but
also manages to connect with the camera. Compared with other
historical mid-20th century pieces, Becket's status is more
obscure, which is a little unfair because it has endured the test of
time quite well. The dialogue is delightfully snappy and clever, and
the sets are bold and beautiful, even if they arguably don't say
much about regular people's lives.
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