






 
|
 |
Bird on a Wire
(1990)
    
|
Director:
John Badham |
COUNTRY
USA |
GENRE
Action/Comedy |
NORWEGIAN TITLE
Midt i
siktet |
RUNNING
TIME
110 minutes |
|
Producer:
Rob Cohen |
Screenwriter:
Louis Vnosta
David Seltzer |
Review
The action-comedy genre was
arguably close to its zenith when John Badham took a trifling, almost
unwritten script, assembled Mel Gibson and Goldie Hawn, and crossed his
fingers that star power would suffice to make a good film. It doesn't
quite, but to the extent that Bird on a Wire actually does work, it is
because of Gibson and Hawn's charisma (if not chemistry), and a carefree
and fun mood which makes this a partly enjoyable experience. When it is
not enjoyable, however, it is excruciating, with tacky, tasteless
action-scenes in which menacing, cardboard bad-guys keep spraying and
chasing our ever-fleeing couple with a variety of guns and vehicles. It
would have been ultra-violent had it not been for the fact that the
bad-guys are clinically unable to hit their targets. If you enjoy an
endless array of virtually plotless chases, Bird on a Wire will
probably work all the way for you. If not, it offers the odd useful
scene here and there and a handful of great laughs. Hawn looks
incredibly good in one of her last films as an eye-catcher.
|
|