|
|
Blonde (2022)
|
Directed
by:
Andrew Dominik |
COUNTRY
USA |
GENRE
Biographical |
NORWEGIAN TITLE
Blonde |
RUNNING
TIME
166 minutes |
|
Produced
by:
Brad Pitt
Dede Gardner
Jeremy Kleiner
Tracey Landon
Scott Robertson |
Screenwriter (based on the book by Joyce Carol Oates):
Andrew Dominik |
Review
Australian filmmaker Andrew Dominik (The
Assasination of Jesse James) started developing this
movie way back in 2010, and his passion for the project is palpable.
It has become a visionary film – a triumph in aesthetics and
temperament. We follow Norma Jeane Mortenson, aka Marilyn Monroe,
through her rollercoaster life in a male-dominated world of show
business, in which the perpetually immature but ambitious Monroe
encounter as many sorrows as successes. The film is based on the
2000 novel by Joyce Carol Oates and is a fictionalized version of
Monroe's life, with Oates filling in the blanks on how the starlet's
relationships and moods could have been. You can watch Blonde
with the eyes of a fact-checker, or you can watch it as it was intended
by Dominik – as an artistic expression and rendition of one of the
most mythical figures in Hollywood history. Granted, it's a tough
watch with plenty of gloom, and one could make a claim that Dominik
is constantly in danger of playing into the hyperbole about Monroe.
But the film also is filled with beautiful, weighty moments which
balance it all, such as the love triangle between Monroe, Cass
Chaplin and Eddy Robinson, or the scene in which she first meets The
Playwright (Arthur Miller, sensitively played by Adrien Brody) and
the two realize their special tenderness for each other. This is a
film that will stand the test of time a lot better than its
detractors will.
|
|