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The Blues
Brothers
(1980)
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Director:
John Landis |
COUNTRY
USA |
GENRE
Musical/Comedy |
NORWEGIAN
TITLE
The
Blues Brothers |
RUNNING
TIME
133
minutes |
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Producer:
Robert K. Weiss |
Screenwriter:
Dan Aykroyd
John Landis |
Review
Dan Aykroyd and John Belushi had created
the two Blues Brothers characters on Saturday Night Live, and now
they united with up-and-coming comedy director John Landis (Animal
House) with a grandiose ambition to create a combined hit and cult
movie. The box office figures and the film's subsequent following may
suggest that they succeeded. But watching it forty years on, you need to
make quite a few concessions or smoke a large stash of weed to be able
to believe the hype. Behind all its hyperbole and quite impressive
technical achievements, the film is grievously banal and unaesthetic. It
plays like a never-ending SNL skit on steroids, consisting of more or
less randomly selected farcical bits which are almost never solidified
by anything resembling good writing. Landis' main achievement here is
how he makes something so over-the-top this unfunny. He is of course
helped along by the non-existing chemistry and charisma of Belushi and
Aykroyd. The film's only redeeming quality is a handful of musical
numbers by a number of mid-20th century greats, most notably John Lee
Hooker's one-minute appearance, which has more value than 120 minutes of
Belushi/Aykroyd. Also included: The most idiotic, brain-insulting and
badly directed car chase scene in movie history. Yes, I'm talking about
the one through Dixie Square Mall. It arguably ended that 1970s borne
fetish once and for all. Look for an abundance of known faces in
pointless bit roles, such as Carrie Fisher, John Candy and Steven
Spielberg. Or better still: Avoid the entire thing altogether.
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