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Bone Tomahawk (2016)
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Director:
S. Craig Zahler |
COUNTRY
USA |
GENRE
Western/Thriller |
NORWEGIAN TITLE
Bone Tomahawk |
RUNNING
TIME
132 minutes |
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Producer:
Jack Heller
Dallas Sonnier |
Screenwriter:
S. Craig Zahler |
Review
Genre-mixes can sometimes work refreshingly well (such as in films
like From Dusk Till
Dawn or, more recently,
Låt den rätte komma in). It is a gamble, however,
because not all filmmakers manage to mould their two chosen genres
into a well-functioning whole. When it works so well in one of this
year's best films, Bone Tomahawk, it is partly because the
genre-mix is realized by the film tone, and not by a clash of
thematics.
After
an ominous prelude, Bone Tomahawk opens as a classically
constructed western with a considerate attention to character and
details. First-time writer/director S. Craig Zahler demonstrates an
immaculate confidence in his own ability as a storyteller. He has
previously worked as a novelist and certainly knows the importance
of building up everything from character relations to narrative
predicaments and his ultimate lurking threat. Anyone who has seen
John Ford's best works will appreciate the tidy and well-played
first half of the film in which a quiet western town is shaken-up by
first the appearance of a distraught criminal (David Arquette), then
the abduction of this criminal and the doctor's assistant (Lili
Simmons) who had attended to him in jail. Subsequently, the town's
best men go looking for them, led by the sheriff (Kurt Russell) and including a
garrulous, mild-mannered deputy (Richard Jenkins), a cocky and
educated gunslinger/womanizer (Matthew Fox) and the hard-nosed
husband of the abducted girl (Patrick Wilson), who incidentally is
limp from a broken leg.
As
our four protagonists embark on their disadvantageous
rescue-mission, the tone of the film slowly changes from the jovial
and well-established routines of the western town to the
increasingly menacing reality of uncharted lands. They have
road-bandits, the husband's deteriorating health and, last but not
least, the unascertained threat of the troglodyte clan they're
chasing to handle. This is the film's make-or-break part, where a
lesser director would be most likely to put his foot wrong, but
where Zahler shows his talent and skill. Without revealing more of
the plot, it suffices to say that the suspense creeps up on you and
reaches unprecedented levels of intensity for the western genre. It
becomes gory and horrific, but it also resonates – because you
actually believe that something like this could have happened. And
Zahler's achievement is made all the better by the fact that he
never compromises the logic or authenticity of neither his story nor
the western genre. It's a rare feat, making Bone Tomahawk one
of the best westerns of the modern era. And the four lead actors
revel in the latitude created by Zahler, none more so than Russell
who leads this with an assured, noble performance.
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