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The Book of Eli (2010)
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Director:
Albert Hughes
Allen Hughes |
COUNTRY
USA |
GENRE
Drama/Thriller/Action |
NORWEGIAN TITLE
The
Book of Eli |
RUNNING
TIME
117
minutes |
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Producer:
Joel Silver
Susan Downey
Andrew Kosove
Broderick Johnson
Denzel Washington |
Screenwriter:
Gary Whitta |
Review
The Book of Eli is like a
kinder surprise, only the surprises aren't quite as fresh and delicate
as you'd like, despite the fact that they are constantly seductive. The
film starts out as a post-apocalyptic drama where we follow a lonesome
wanderer (Washington), in the vein of
The Road... or rather identical to
The Road, only more crisply shot, then it develops into a
classically constructed western, complete with a dusty one-street town,
a saloon filled with a megalomaniac town boss' and his one-note
henchmen, and the young belle dreaming of getting away. And finally, in
the film's final third, we get the real treat - if you're a Christian
evangelist, that is: a seemingly uncritical tribute to the bible and the
power bestowed upon those who strongly believe in it - and never ask
questions.
After building up an intriguing and
deliciously enigmatic protagonist during almost the entire movie, this
final third (along with a preposterous "revelation" towards the end
which I will not discuss further here) reduces Denzel Washington's Eli
almost to ridicule with its spiritual propaganda. This is a big letdown
for a film which, despite lacking in creativity and treading mostly of
recent quite well-tread territory (I
Am Legend,
Children of Men, the Mad Max
series along with the already mentioned The Road), is constantly
engaging and watchable. The Hughes brothers' direction is one of good
workmanship, the story told in a tight and attractive manner, and Denzel
Washington's performance drives it all purposefully forward. His nemesis
is Gary Oldman, who reprises a role he experted during the 1990s,
without adding much more than his familiar force and style. In the end,
however, his character, like the film itself, is revealed to be without
essence, merely a preacher who is not really interested in the state of
events which arguably must have preceded a world like the one The
Book of Eli presents. A big plus for the dynamic ambient score by
young English composer Atticus Ross.
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