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Broadcast
News (1987)
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Director:
James L.
Brooks |
COUNTRY
USA |
GENRE
Drama/Comedy/Romance |
NORWEGIAN
TITLE
Broadcast News |
RUNNING
TIME
131
minutes |
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Producer:
James L. Brooks
Penney Finkelman Cox |
Screenwriter:
James L.
Brooks |
Review
One
might label James L. Brooks' follow-up to his hugely successful debut
Terms of Endearment as a serious and cerebral romantic comedy, and
although this might describe Broadcast News, it wouldn't quite do it
justice. Again Brooks creates a film so rich, insightful and nuanced
that he leaves the viewer pondering just about every scene. Broadcast
News is arguably the most intricate look at the medium of television
ever to hit the big screen, and we get so
close and intimate to the characters that we're able to live and sense
their lives. We're
left watching an everyday work situation without having a director or a
screenwriter trying to be flashy, which is quite a relief.
The clever
script plants theses, discusses them, teases with solutions, but
ultimately leaves every conclusion to the viewer. It's delicately
playful. And the love triangle, which ultimately becomes the essence
of the film, has most any level of relationship basis merged into it.
The vivid characters are not your everyday neighbours, they are arguably
far more eccentric than that, but they still possess every ordinary
human weakness you've come across. Watching Broadcast News one should be careful not to misinterpret or underestimate the three
principal characters. The William Hurt character isn't quite the intellectual
or the idealist the two others are looking for, but he's still more
intelligent
and thoughtful than most. That's what makes Brooks' statement so
powerful – most of us are ultimately selfish, even if we're quite nice
and helpful. Exactly the same can be seen through the wonderful Albert
Brooks character. A man of immense idealistic conviction, who still –while facing defeat
– becomes a fairly primitive and selfish human
being. Albert Brooks' work here is among the finest of the decade. His
acting is courageous and intimate. And by his side, Hurt and Holly
Hunter provide exquisite and spirited performances. They give James L. Brooks the basis for his playful, but
ultimately sombre look into idealistic journalism vs. commercialism and
mating ritual vs. sophisticated life. And ultimately, Broadcast News
is quite fascinated with and has a lot to say about both these battles.
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