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The Call (2013)
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Director:
Brad Anderson |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN TITLE
The
Call |
RUNNING
TIME
94 minutes |
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Producer:
Bradley Gallo
Jeffrey Graup
Michael A. Helfant
Michael Luisi
Robert Stein |
Screenwriter:
Richard
D'Ovidio |
Review
I was
baffled and very disappointed at just how much of a B-movie mess the
skilled director Brad Anderson (The
Machinist) was able to make of this film, which up
until the third act is a stout, intense and intelligent thriller
about a senior 911 call center operator (Halle Berry) who is unable
to stop a young female caller from being kidnapped, finds herself
deeply affected by the event, and then gets a second chance with
another young victim in a similar situation. As one of the first
films taking the 911 operators' point of view, The Call
perfectly captures the feeling of powerlessness when things go
astray and there's nothing left to be done via phone or dispatch,
and Anderson's respectful handling of both victim, operator and even
perpetrator makes the film intensely realistic, and with that
refreshingly free from genre expectations. The film has a number of
possible turns to take as it approaches the final act, but somehow
it manages to not only choose a worn path of Freudian sensationalism
to backdrop the story, but we're also dragged through every possible
contrived turn of events in order to get there. As we finally cross
the 90-minute mark, there's not much identifiable left in any of
these characters - despite the actors' best efforts. A wasted
potential, but still two thirds of a good film nonetheless.
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