|
|
Christiane F. –
Wir Kinder vom Bahnhof Zoo
(1981)
|
Director:
Uli Edel |
COUNTRY
West
Germany |
Genre
Drama/Bio |
NORWEGIAN
TITLE
Christiane F – Å være ung er for jævlig |
RUNNING
TIME
138
minutes |
|
Producers:
Bernd Eichinger
Hans Weth |
Screenwriters (based on the book by Kai Hermann and Horst Rieck):
Herman Wiegel |
Cast includes:
|
CHARACTER |
ACTOR/ACTRESS |
RATING |
Christiane F. |
Natja Brunckhorst |
|
Detlev |
Thomas
Haustein |
½ |
Axel |
Jens Kuphal |
- |
Leiche |
Rainer Wölk |
- |
Bernd |
Jan Georg
Effler |
- |
Babsi |
Christiane
Reichelt |
- |
Kessi |
Daniela Jager |
- |
Stella |
Kerstin
Richter |
- |
Himself |
David Bowie |
- |
Christiane's mother |
Christiane
Lechle |
- |
Review
As the street drug culture hit
mainland Europe in the 1970s, stories such as this one became alarmingly
commonplace. Based on the real life account of Christiane Felscherinow,
this picture by director Uli Edel and producer Bernd Eichinger quickly
gained a cult following for its almost glorifying bleakness and relative
authenticity. Natja Brunckhorst plays the 13-year-old Christiane who
drifts into a new sub-culture in her otherwise uneventful West-Berlin
neighbourhood; a sub-culture of dropping acid and listening to David
Bowie, which quickly evolves into shooting heroin and selling sexual
services at the Bahnhof Zoo station. Whether the filmmakers wanted to
deter or attract young audiences might be up for debate, but their
semi-documentarian style and experiential rooting give the picture
authority. It feels like an important time capsule even after several
decades of aging. Christiane F. has many similarities with Larry
Clark's New York document
Kids from 1995 – both in style, themes and casting. The
local, untrained actors aren't always too comfortable with the camera,
but lead Brunckhorst and Thomas Haustein, as her boyfriend Detlev, give
immense physical performances. A particularly effective segment
depicting their opioid withdrawal stand out. There's also some wonderful
camera work and production values considering the budget, with a scene
of the kids running in a shopping mall as a highlight. David Bowie
contributed music and a faux concert appearance.
|
|