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The Cider House Rules
(1999)
Lasse Hallström has a remarkably agreeable way about his directing, as though he’s tracing his characters with a watchful gaze, yet still allowing them to roam freely and pursue their desires. The Cider House Rules is based on John Irving’s renowned novel of the same name. The author himself wrote the screenplay, laying the groundwork for what has become a dynamic and comprehensive screen adaptation. And it’s precisely the combination of Irving’s rich universe and Hallström’s harmonious style that makes this film such a beautiful, heartfelt, and visually striking experience. With its diverse themes, the film comes alive as a vivid and realistic portrayal, skillfully avoiding cheap solutions and categorical conclusions. Tobey Maguire is aptly insecure in the lead (when he first leaves the orphanage, he’s as wobbly as a fledgling on its first flight), while Charlize Theron is sincere and charming by his side. Still, it is Michael Caine’s mighty blend of devotion to and control over Homer that stands out as the film’s perhaps most poignant aspect.
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