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City Lights (1931)
City Lights was Chaplin at his
most romantic, and the film has a reputation as perhaps his best, which isn't
quite deserved according to this reviewer. Still, the picture boasts abundances
of wonderful scenes, not least the unforgettable boxing segment and the many
interactions between Chaplin's The Tramp character and the blind girl, played by
Virginia Cherrill. The idea that the millionaire (Harry Myers) always recognizes
the tramp when he's drunk but not when he's sober, is both hilarious and
ingenious, and thanks to a fine build-up and execution, this relation stands as
the film's best asset. City Lights is first and foremost a love story,
much more so than most of Chaplin's other films. And even though his trademark
physical/slapstick comedy is well represented, this entry isn't quite as
striking as the brilliantly satirical and timeless
Modern Times released five years later.
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