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Cloverfield (2008)
Director:
Matt Reeves |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN
TITLE
Cloverfield |
RUNNING
TIME
85
minutes |
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Producer:
J. J. Abrams
Bryan Burk |
Screenwriter:
Drew Goddard |
Review
The home video
approach was introduced by the technically but not narratively creative
filmmaking team of Daniel Myrick and Eduardo Sanchez with
The Blair Witch Project.
Nine years later, the same fidgety first-person tactic is adapted to the
monster movie, and has - not surprisingly - many of the same strengths
and weaknesses. Bearing in mind the clever marketing of this movie,
there is little doubt that the purpose is to evoke as realistic a feeling
as possible in the viewer, and I grant that the initial effect is of an
immediate and seemingly authentic and documentary feel. The dialogue
between the youngsters is believable and largely fresh, and there is
some offhand humour in here as well that only very rarely come off as
tawdry stand-up punch-lines (which counts for something in this
sub-genre). But little by little, the camerawork will inevitably be
exhaustive and work against its purpose; it keeps the characters and the
situations at a distance. Perhaps the reason people go to the movies
instead of watch their neighbours home videos is that there is a
difference in emotional impact with these two kinds of narrative
techniques. I must admit I felt the same way with
The Blair Witch Project.
The attack on the city
of New York and the events that subsequently unfolds is impressively
well handled and executed. The action is Cloverfield's by far
best asset, and there are some outright electrifying scenes. Of course,
there is never a monster movie without an all too familiar-looking
monster, and the same can be said of characters showing such uniformly
selfishness that I'm surprised Mother Theresa wasn't American, but the
suspense never lets up - and that's a tribute to the director. I neither
think nor hope that the Cloverfield-approach will become
predominant in filmmaking, but if nothing else, it is refreshing to
experience new angles. Even if this one is stolen from nine years ago.
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