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The Collector (1965)
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Director:
William Wyler |
COUNTRY
UK/USA |
GENRE
Drama/Thriller |
NORWEGIAN TITLE
Samleren |
RUNNING
TIME
119
minutes |
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Producer:
Jud Kinberg
John Kohn |
Screenwriter (based on the novel by John Fowles):
Stanley Mann
John Kohn |
Review
This British psychological thriller,
about a young social misfit (Stamp) who captures and collects first
butterflies and then the local girl whom he wants to become the love of his
life (Eggar), had several controversial elements about it at the time of
release in 1965, few of which prevail today. The film is directed by
veteran movie maestro William Wyler, and although it isn't satisfactory
on all levels, it remains a continuously interesting study of a deranged
but sympathetic captor and his increasingly wavering captive. The
psychological profiling and power struggle is what's at the center of
Wyler's attention, and this is also where The Collector is at its
most valuable, largely thanks to the performances by the two leads. The
film is slow, elongated and spatially restricted, and Wyler's constantly
scrutinizing camera gives the performers a tough job, but they are both
able to go deep into the psyche of their characters – too such a degree
even that we forget about their beautiful exterior and accept them as
the poor souls they've become. Stamp is particularly good, applying the
perfect amount of spite, reservedness and class to his role. Except for
a hint of melodrama in one or two crucial scenes, the film remains a
thematic relevant study of a sex criminal both fuelled and hampered by
the sexually repressive society he was brought up in.
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