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Coming Home
(1978)
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Director:
Hal Ashby |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
Hjemkomsten |
RUNNING
TIME
126 minutes |
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Producer:
Jerome Hellman |
Screenwriter:
Waldo Salt
Robert C. Jones |
Review
There
is little doubt about Jane Fonda and the other filmmakers'
motivation in making Coming Home back in the golden days of
political dissidence, but there's nothing wrong with a message movie
as long as it's done as intelligently and thoughtfully as here. Jon
Voight's performance as a paraplegic Vietnam veteran may well be his
career best - which isn't saying little for an actor whose output
during the 1970s included powerhouse performances in
Deliverance
and the ultimate tear-jerker
The Champ. And playing against
him, Fonda cleverly and skilfully embodies a role which illustrates
almost every predicament, paradox and ambivalence for real humans
involved in or somehow touched by war. Coming Home is not a
political film; it's a film about tragic human destinies sealed by
political (as well as personal) choices and directions. Right-wing
critics may have dubbed it left-wing and meek, but seen with a
geographical and temporal distance, you'd have to be quite
narrow-minded to maintain such a view with any kind of seriousness.
Bruce Dern and Bobby Carradine give brilliant supporting
performances. The direction by Hal Ashby is surprisingly sane and
level-headed; his career (and personal life) went quickly downhill
after this.
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