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Contact (1997)
With its seemingly appealing combination
of so-called pensive science-fiction (which may have felt like a welcome
contrast to 1996's
Independence Day) and philosophical meanderings,
Contact had the outlines of a good movie – and was hailed by many
critics as such. Still, in order to come to that conclusion, you must be
willing to overlook the film's outrageously pretentious moral and
ethical "discussion", which is hard to swallow, to put it lightly. This
is a self-righteous message movie camouflaged as intelligent sci-fi, and
despite some interesting ideas and qualities, director Zemeckis
ultimately lets both himself, his actors and his viewers down.
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