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Coogan's
Bluff (1968)
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Director:
Don Siegel |
COUNTRY
USA |
GENRE
Crime |
NORWEGIAN
TITLE
Med
alle midler |
RUNNING
TIME
94
minutes |
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Producer:
Don Siegel |
Screenwriter:
Herman Miller
Dean Riesner
Howard Rodman |
Review
Don Siegel and Clint Eastwood's dress
rehearsal to
Dirty Harry touches upon some of the same crude crime
elements, but Coogan's Bluff is a muddled and flawed film in
everything from thematic content to narrative presentation. There's an
unattractive backwardness to how Eastwood's rural character imposes his
persona and culture on the urban environments he visits. He feels
entitled for all the wrong reasons, like an old grandfather who curses,
insults and disrespects just because he thinks nobody will stop him.
Eastwood is young here, but he has rarely seemed older or more out of
touch. And if Siegel thinks he sets him up as a contradictory anti-hero,
the sentiment is too vague in an otherwise rather unsubtle film. There's
a particularly queasy segment from inside a club in which Siegel tries
to pose homosexuality as a symptom of what he perceives as the immoral
debauchery of the urban hippies. And when Eastwood ends up in bed with
one of them (Tisha Sterling), it's about as unsexy as party politics. The film's only really interesting aspect is the
relationship between Eastwood and Susan Clark, which alas is too soon
cast aside. Lalo Schifrin's score is not among his best, but it's
endlessly better than the film's lousy sound production.
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