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Dan
in Real Life (2007)
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Director:
Peter Hedges |
COUNTRY
USA |
GENRE
Comedy/Romance/Drama |
NORWEGIAN
TITLE
Dan in
Real Life |
RUNNING
TIME
98
minutes |
|
Producer:
Brad Epstein
Jonathan Shestack |
Screenwriter:
Peter Hedges
Pierce Gardner |
Review
The romantic comedy is
not a genre that traditionally has been blessed with the most innovative
filmmakers. Often, the romance is too far removed from a situation which
the average viewer can identify with and the comedy which is put on top
is trite. Dan in Real Life has also got its fair share of
incredibilities and recirculated segments, but the framework and tone
Peter Hedges creates for his protagonist is both refreshing and moving.
Dan, as portrayed by Steve Carell, is a character with recognizable
human flaws and characteristics. Carell's performance is surprisingly
and appropriately low key, and the often hilarious comedian here exhibits a
delicate ability of delivering subtle reactions to the array of
situations he finds himself in throughout Dan in Real Life.
Even if the romantic
storyline, which is indeed the main storyline in this film, may seem
constructed at first (or rather second) glance, the evocative setting in
Dan in Real Life gives it a familiarity and intimacy which makes
this an enjoyable experience. The means here are basically two: One is
Hedges' decision to set almost the entire film in connection with a big
family get-together at the old folks' house in semi-rural surroundings.
The result is a John Irving-ish, snug atmosphere which makes you long
for your in-laws. At times, there seems to be too much warmth, but
Carell's black sheepish persona keeps it balanced.
The other is the score by my fellow countryman Sondre Lerche. It is a
stripped and minimalistic guitar-based soundtrack in the vein of Cat
Stevens' work for Harold and Maude. Although the music isn't
among the catchiest or even most qualitative Lerche has done, it does
give the film a fine
backdrop from which to construct its often amusing and touching
narrative. Atypically for the romantic comedy, it isn't actually the
principal relationship between which provides the film with its best
moments, but rather many of Hedges' other observations on parenting and
family life in general - the best of which is the well-acted and
amusingly bumpy
relationship between Dan and his three daughters.
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