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D.A.R.Y.L. (1985)
Director:
Simon Wincer |
COUNTRY
USA/UK |
GENRE
Science Fiction/Drama |
NORWEGIAN
TITLE
D.A.R.Y.L. |
RUNNING
TIME
99
minutes |
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Producer:
John Heyman
Burtt Harris
Gabrielle Kelly |
Screenwriter:
David Ambrose
Allan Scott
Jeffrey Ellis |
Review
D.A.R.Y.L.
combines great escapism for children (in recognizable 1980s Top Gun/War
Games fashion) with rather interesting
observations and reflections on the concept of artificial intelligence
and human existentialism. The film has a calculated but warm and
authentic use of emotion, and works as an unconcealed, almost
campaigning proclamation for traditional family values. Luckily, most of us
all abide to the same codex, and D.A.R.Y.L.'s confidence and
apparent wholesomeness is a welcomed verification in this matter. The
paranoia and pessimism in the film's depiction of scientific progress,
and how modern leaders will exploit it more than what scientists can
accomplish with it, is a typical artistic sentiment from mid- to late
20th century. That being said, writers David
Ambrose and Allan Scott are not really that interested in this
discussion; they just
want to fantasize about how much cool stuff their protagonist can do.
The script is strangely unambitious on a characterological level, but
the craftsmanship is excellent, and director Simon Wincer has full control over the
viewer's pathos. Child star Barret Oliver is perfectly cast in the
title role, whereas Josef Sommer and Michael KcKean give heartfelt
performances as the kid's male role models.
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