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Das Boot
(1981)
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Director:
Wolfgang
Petersen |
COUNTRY
West Germany |
GENRE
War |
NORWEGIAN TITLE
Das
Boot |
RUNNING
TIME
149
minutes (original run)
209 minutes (director's cut) |
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Producer:
Günter Rohrbach |
Screenwriter
(based on a novel by Lothar-Günther Buchheim):
Wolfgang
Petersen |
Review
Wolfgang Petersen's daunting WWII drama is an underwater chamber
piece of timeless proportions. From the extravagant, mood-setting
intro – where Petersen cleverly eradicates any temporal distance
between us and his characters by stripping away their formality and
etiquette – to the confined, mundane life aboard the U-96, and
finally the opaque battles fought, Petersen shows a complete command
over his story and the film medium. We get to feel and identify with
every emotion, and we get to crawl under the characters' skin in a
way that has rarely been done better in the war film genre. Even in
the 209 minutes long Director's Cut version (upon which this review
is based), Das Boot is tight and constantly to-the-point,
albeit slow. But that, the slow pace of the film, is one of
Petersen's greatest masterstrokes here, because it accentuates the
meaninglessness and dullness of the war. And the contrasts, between
the long stretches of nothingness and the short bursts of death and
terror, is what really sucks you into the lives of these poor souls.
Das Boot manages to convey an important distinction: These
men, and others like them, were heroes, because they sacrificed
their own lives for the sake of others. And yet, there was nothing
heroic about the proceedings or the war itself – a point which is
emphasized by the randomness of the finale. The absolutely fervent
performances and a haunting theme by Klaus Dodinger crown this
modern classic.
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