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Deadly Illusions (2021)     
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Director:
Anna Elizabeth James |
COUNTRY
USA |
Genre
Psychological
thriller |
NORWEGIAN
TITLE
Deadly
Illusions |
RUNNING
TIME
114
minutes |
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Producer:
Kristin Davis
Greer Grammer
Shanola Hampton
Anna Elizabeth James |
Screenwriter:
Anna Elizabeth James |
Review
This genre-bound film is so
caught up in the 1990s erotic thriller subgenre that even its supposed
surprises become unsurprising. It's about a famed crime writer who in a
bid to end her writer's block hires a nanny who seems too good to be
true. And you know what they say about those? (That is, things that are
too good to be true, not nannies.) I suspect filmmaker Anna Elizabeth
James, who both wrote, directed and co-produced, intended for her film
to be playful and not take itself too seriously, but she fails at that,
largely because there are no shifts in tone in here. She demonstrates a
lack of craftsmanship when scenes of singing lullabies for the kids are
soaked in the same ominous, quasi-erotic mood as a kitchen-counter
seduction. Kristin Davis tries to play her part straight – which works
only when the director once in a while lets her exist in a believable
world. With Delmot Mulroney as the husband, and Greer Grammer (Kelsey's
daughter) as the nanny. She clearly cannot identify with her character's
psyche, so she compensates by overdoing it.
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