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Diarios
de motocicleta (2004)
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Director:
Walter Salles |
COUNTRY
USA/Argentina |
GENRE
Drama/Biography |
ENGLISH
TITLE
The
Motorcycle Diaries |
RUNNING
TIME
128
minutes |
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Producer:
Michael
Nozik
Edgard Tenenbaum
Karen Tenkoff |
Screenwriter
(based on books by Guevara and Granado):
José Rivera |
Review
The story about the young Che Guevara
and his friend Alberto Granado's trip across the South American
continent is handled by Brazilian director Walter Salles (Centralo do
Brazil) with gentle dignity. His direction is simplistic but
passionate as he keeps in mind that this is a portrait of a young,
adventurous, intelligent man about to work out his ideologies. The film
wisely stays away from becoming too political or too suggesting and it
doesn't take a stand towards Guevara's later feats. It simply wants to
take a nuanced look at a man who's about to grow up and at the social
situations they find themselves midst.
Diarios de motocicleta is wise
enough to not become overly ambitious. It is more about passion and
people than about events, and it is a beautiful and sincere film in that
respect. You get the feeling that many of the people
"interviewed" here aren't only performing. That shows the
film's level of intimacy with the milieus it depicts. The performances
by the two leads are truthful and very strong. Gael García Bernal is
emerging as one of the most talented actors of his generation, and
portrays Guevara cleverly receptive as a searching but open soul. As his
friend, Alberto, Rodrigo de la Serna makes an impressive feature film
debut with a fiery performance, and between them they create a low-key
but warm friendship. There is humour in this film, but also a sense of
detached gloom that can be interpreted as a foresight to the life Che
Guevara was about to embark on. Walter Salles implies a lot without
explicitly saying them and without being assertive. To this film, that
quality is decisive and makes for one of the best balanced and most
enchanting films of the year.
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