






 
|
 |
Down
in the Valley (2005)
    
|
Director:
David Jacobson |
COUNTRY
USA |
GENRE
Drama/Western |
NORWEGIAN
TITLE
Down in the
Valley |
RUNNING
TIME
125 minutes |
|
Producer:
David Jacobson
Stavros Merjos
Bill Migliore
Edward Norton
Adam Rosenfelt
Holly Wiersma |
Screenwriter:
David Jacobson |
Review
Whether
it is a blessing or a curse that
Edward Norton
seemingly has chosen to go “back to his roots” in
order to revive his slightly halted career will remain unsaid, but
there’s no denying the parallel between his Harlan here and his
debut-role in Primal Fear. And as with
that role, the psychological aspects of Norton’s character is the most
interesting asset in this film. There’s also a sweet and fairly genuine
romance between Norton and Wood, a couple of family intrigues and a cat
and mouse-sequence. It’s blended beyond realism, but not entirely beyond
interest, and works quite well for a while.
Norton manages to make his character believable, and that is not a
given with this Harlan,
whose at times questionable (to say the least)
motivation is quite simplifyingly justified. It's hard to argue
that the film doesn't in the end disclose itself as mainly a
psychological study (although it conceals itself as many potential
things up until then), but although it has very interesting points in
this respect, it's not completely coherent.
Still though, Down In the Valley also works on another level – a
meta-level which is fun and amusing, if not always relevant. That is
when writer/director David Jacobson has his fun, paralleling the western
of his youth with the modern-day western terrains of the United States.
And this gives film the extra bit of integrity that it might otherwise
lack. Jacobson is ambitious, no doubt about it, and that ambition is
illuminated by this interesting but by no means flawless film.
|
|